
Inside the works
Pigments Within Textile Sculpture: Soft Chamber, Threaded Keep, Silent Cocoon
Reclaimed crochet, natural pigments and the histories of textile labour in Soft Chamber, Threaded Keep and Silent Cocoon.
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On materials, memory and the stories behind my work.

Inside the works
Reclaimed crochet, natural pigments and the histories of textile labour in Soft Chamber, Threaded Keep and Silent Cocoon.
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Inside a work
Lace, rebar steel and women’s textile labour come together in Hestia, a sculpture exploring home, care and resilience.
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Lace & materials
How lace and Semadaki fabrics become layered surfaces and sculptural forms in Hara Athanasopoulou’s work.
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Studio
Inside the slow, physical process of textile-making, where repetition gives materials form.
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Research
How stories of Arachne and Philomela entered Hara’s research into women and textile art.
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Materials
The physical qualities of the materials Hara returns to in textile art, drawing and sculpture.
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Memory
A personal account of learning embroidery, crochet and knitting in Greece, and carrying that knowledge into contemporary art.
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Materials
How textile techniques move from the intimacy of the hand into contemporary sculpture.
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Studio
Greek textile artist Hara Athanasopoulou on working between fabric, drawing and sculpture in her Athens studio.
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Recognition
Receiving the Jan Roëde Award for Threads of Timeless Tales at the Royal Academy of Art, The Hague.
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Graduation
Hara reflects on how her studies at the Royal Academy of Art, The Hague shaped her practice.
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Graduation
The textile research and installation behind Hara Athanasopoulou’s 2024 graduation project.
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